![]() The illustrator's dinosaurs are brimming with personality (and a bit of artistic license), their faces adorned with eyebrows and eyelashes. The scansion works, and the word choices nicely suit the target audience. ![]() Kirkus Reviews The author chooses a good blend of the popular and lesser-known dinos, as well as representatives from a variety of habitats. zippy illustrations and interactive format. Publishers Weekly With its expressive cartoon dinosaurs, this lift-the-flap poetry book (following Gnash, Gnaw, Dinosaur! ) emphasizes fun over science.The rhymes have plenty of bounce. Lift-the-flaps extend the action as well as the poem. Bright cartoonlight illustrations make this a friendly, not frightening, world. The playful design and typeface enhance the funny pictures the silly, googly-eyed look of most of the dinosaurs is especially appealing., Horn Book The pieces are accessible and amusing. The short length of the poems, humorous illustration and, of course, those ever-popular flaps all combine to make this a sure hit… School Library Journal The smooth writing reads aloud well, and each of the eight poems provides a few facts about the creatures. To begin to look at graphic scansion, we first must look at a couple of symbols that are used to scan a poem.Publishers Weekly With its expressive cartoon dinosaurs, this lift-the-flap poetry book (followingGnash, Gnaw, Dinosaur!) emphasizes fun over science.The rhymes have plenty of bounce. For a discussion of the others, I refer you to Fussell, page 18. Since the most commonly and most easily used is graphic, we will use it in our discussion. There are three kinds of scansion: the graphic, the musical and the acoustic. This technique is called scansion, and it is important because it puts visual markers onto an otherwise entirely heard phenomenon. To get a bearing on what these rhythms look and sound like, let's start with a method for writing out the rhythms of a poem. The former is the more common adherence to the latter often leads an English language poet toward self-conscious verse, as their predictable rhythms are counter to natural English speech (not that it is impossible to create great verse with this technique, but there is a tendency for it to end up so). For this reason most English language poets opt to look at their own meter as accentual or accentual-syllabic. There may be one, two, or three syllables between accents (or more, but this is a matter of debate). This means that its natural rhythms are not found naturally from syllable to syllable, but rather from one accent to the next. ![]() English, being of Germanic origin, is a predominantly accentual language. Of the ways of looking at meter, the most common in English are those that are accentual.
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